Artist: Crosby, Stills & Nash    Genre: Folk-Rock    Tempo: Brisk    Strum Pattern: Island Strum: | D – D U – U D U |    Roman Numerals: I, II, V, V5, VI, VI7    Instrument: Guitar - Standard Tuning [E,A,D,G,B,E]   
Song Notes:  
Crosby, Stills & Nash, 1969.
Recording @ YouTube

Yes, the second half is the same as the first half. It's a pretty song, though. Fun harmonizing, if you know it.
Entered by: Cheryl Leon Levy   
▼ Show transpose, instrument, and other display options ▼
F
(F,A,C)

F C F A C F
G
(G,B,D)

G B D G B G
C
(C,E,G)

x,3,2,0,1,0
- C E G C E
C5
(C,G)

- C G C - -
D
(D,F♯,A)

- - D A D F♯
D7
(D,F♯,A,C)

- - D A C F♯


Intro:
"/– – –" means strum once and let it ring (over 4 beats)
[FMajor Chord (U,M3,P5)
on the Perfect Unison
]
[DMajor Chord (U,M3,P5)
on the Major Sixth
]
[FMajor Chord (U,M3,P5)
on the Perfect Unison
]
[DMajor Chord (U,M3,P5)
on the Major Sixth
]
/– – –

Verse 1:
"(%)" means repeat the previous chord
In the [FMajor Chord (U,M3,P5)
on the Perfect Unison
]
morning (%) ... when you
[CMajor Chord (U,M3,P5)
on the Perfect Fifth
]
rise (%)
Do you [GMajor Chord (U,M3,P5)
on the Major Second
]
think of me and (%) how you left me
[DMajor Chord (U,M3,P5)
on the Major Sixth
]
cryin’? (%)
Are you [FMajor Chord (U,M3,P5)
on the Perfect Unison
]
thinking (%) ... of
[CMajor Chord (U,M3,P5)
on the Perfect Fifth
]
telephones, (%)
And [GMajor Chord (U,M3,P5)
on the Major Second
]
managers, and (%) where you got to
[DMajor Chord (U,M3,P5)
on the Major Sixth
]
be at noon? (%)
You are [FMajor Chord (U,M3,P5)
on the Perfect Unison
]
living (%) ... a re–
[CMajor Chord (U,M3,P5)
on the Perfect Fifth
]
–ality (%)
I left [GMajor Chord (U,M3,P5)
on the Major Second
]
years ago; it (%) quite nearly
[DMajor Chord (U,M3,P5)
on the Major Sixth
]
killed me (%)
In the [FMajor Chord (U,M3,P5)
on the Perfect Unison
]
long run (%) ... it will
[CMajor Chord (U,M3,P5)
on the Perfect Fifth
]
make you cry (%)
Make you [GMajor Chord (U,M3,P5)
on the Major Second
]
crazy and (%) old before your
[DMajor Chord (U,M3,P5)
on the Major Sixth
]
time (%)
And the [FMajor Chord (U,M3,P5)
on the Perfect Unison
]
difference (%) ... between
[CMajor Chord (U,M3,P5)
on the Perfect Fifth
]
me and you (%)
I won’t argue [GMajor Chord (U,M3,P5)
on the Major Second
]
right or wrong, but (%) I have time to

Chorus 1:
[DMajor Chord (U,M3,P5)
on the Major Sixth
]
Cry, my
[D7Dominant 7th Chord (U,M3,P5,m7)
on the Major Sixth
]
baby,
[DMajor Chord (U,M3,P5)
on the Major Sixth
]
you don’t have to
[D7Dominant 7th Chord (U,M3,P5,m7)
on the Major Sixth
]
cry
I said [DMajor Chord (U,M3,P5)
on the Major Sixth
]
cry, my
[D7Dominant 7th Chord (U,M3,P5,m7)
on the Major Sixth
]
baby,
[DMajor Chord (U,M3,P5)
on the Major Sixth
]
you don’t have to
[D7Dominant 7th Chord (U,M3,P5,m7)
on the Major Sixth
]
cry
I said [DMajor Chord (U,M3,P5)
on the Major Sixth
]
cry, my
[C5Fifth (Power Chord) Chord (U,P5)
on the Perfect Fifth
]
baby,
[GMajor Chord (U,M3,P5)
on the Major Second
]
you don’t have to
[DMajor Chord (U,M3,P5)
on the Major Sixth
]
cry
[CMajor Chord (U,M3,P5)
on the Perfect Fifth
]
[GMajor Chord (U,M3,P5)
on the Major Second
]
[DMajor Chord (U,M3,P5)
on the Major Sixth
]
/– – –

Verse 2:
In the [FMajor Chord (U,M3,P5)
on the Perfect Unison
]
morning (%) ... when you
[CMajor Chord (U,M3,P5)
on the Perfect Fifth
]
rise (%)
Do you [GMajor Chord (U,M3,P5)
on the Major Second
]
think of me and (%) how you left me
[DMajor Chord (U,M3,P5)
on the Major Sixth
]
cryin’? (%)
Are you [FMajor Chord (U,M3,P5)
on the Perfect Unison
]
thinking (%) ... of
[CMajor Chord (U,M3,P5)
on the Perfect Fifth
]
telephones, (%)
And [GMajor Chord (U,M3,P5)
on the Major Second
]
managers, and (%) where you got to
[DMajor Chord (U,M3,P5)
on the Major Sixth
]
be at noon? (%)
You are [FMajor Chord (U,M3,P5)
on the Perfect Unison
]
living (%) ... a re–
[CMajor Chord (U,M3,P5)
on the Perfect Fifth
]
–ality (%)
I left [GMajor Chord (U,M3,P5)
on the Major Second
]
years ago; it (%) quite nearly
[DMajor Chord (U,M3,P5)
on the Major Sixth
]
killed me (%)
In the [FMajor Chord (U,M3,P5)
on the Perfect Unison
]
long run (%) ... it will
[CMajor Chord (U,M3,P5)
on the Perfect Fifth
]
make you cry (%)
Make you [GMajor Chord (U,M3,P5)
on the Major Second
]
crazy and (%) old before your
[DMajor Chord (U,M3,P5)
on the Major Sixth
]
time (%)
And the [FMajor Chord (U,M3,P5)
on the Perfect Unison
]
difference (%) ... between
[CMajor Chord (U,M3,P5)
on the Perfect Fifth
]
me and you (%)
I won’t argue [GMajor Chord (U,M3,P5)
on the Major Second
]
right or wrong, but (%) I have time to

Chorus 2:
[DMajor Chord (U,M3,P5)
on the Major Sixth
]
Cry, my
[D7Dominant 7th Chord (U,M3,P5,m7)
on the Major Sixth
]
baby,
[DMajor Chord (U,M3,P5)
on the Major Sixth
]
you don’t have to
[D7Dominant 7th Chord (U,M3,P5,m7)
on the Major Sixth
]
cry
I said [DMajor Chord (U,M3,P5)
on the Major Sixth
]
cry, my
[D7Dominant 7th Chord (U,M3,P5,m7)
on the Major Sixth
]
baby,
[DMajor Chord (U,M3,P5)
on the Major Sixth
]
you don’t have to
[D7Dominant 7th Chord (U,M3,P5,m7)
on the Major Sixth
]
cry
I said [DMajor Chord (U,M3,P5)
on the Major Sixth
]
cry, my
[C5Fifth (Power Chord) Chord (U,P5)
on the Perfect Fifth
]
baby,
[GMajor Chord (U,M3,P5)
on the Major Second
]
you don’t have to
[DMajor Chord (U,M3,P5)
on the Major Sixth
]
cry
[CMajor Chord (U,M3,P5)
on the Perfect Fifth
]
[GMajor Chord (U,M3,P5)
on the Major Second
]
[DMajor Chord (U,M3,P5)
on the Major Sixth
]
/– – –